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The Colour Fantastic: Chromatic Worlds of Silent Cinema

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The Colour Fantastic: Chromatic Worlds of Silent Cinema

Giovanna Fossati (editor), Victoria Jackson (editor), Bregt Lameris (editor), Sarah Street (editor), Joshua Yumibe (editor), Elif Rongen-Kaynakci (editor)

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This book explores archival restoration, colour film technology, colour theory, and experimental film alongside beautifully saturated images of silent cinema.

Yıl:

2018

Yayımcı:

Amsterdam University Press

Dil:

english

Sayfalar:

312

ISBN 10:

9048532981

ISBN 13:

9789048532988

Dosya:

PDF, 9.25 MB

IPFS:

,

english, 2018

Online Oku

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İlginizi çekebilir

editors Rosalind Krauss and Annette Michelson — October journal No.11 Winter (1979) - Essays in Honor of Jay Leyda

Bregt Lameris — Film Museum Practice and Film Historiography: The Case of the Nederlands Filmmuseum (1946 - 2000)

Giovanna Fossati & Victoria Jackson & Bregt Lameris & Elif Rongen-Kaynakci & SARAH STREET, JOSHUA YUMIBE — THE COLOUR FANTASTIC

GIOVANNA FOSSATI — From Grain to Pixel: The Archival Life of Film in Transition

Martin Lefebvre (Editor) & Marc Furstenau (Editor) — Special Effects on the Screen

Eivind Rossaak — Between Stillness and Motion: Film, Photography, Algorithms

Sarah Berry — Hollywood Exoticism

Stephen Larry Larson — The Birth, Death, and Re-Birth of an Auteur: The Analog to Digital Conversion of Carl Theodor Dreyer's Films

Paul Read, Mark-Paul Meyer — Restoration of Motion Picture Film

Charlie Keil;Rob King; — The Oxford Handbook of Silent Cinema

Devin Orgeron, Marsha Orgeron, Dan Streible — Learning with the Lights Off: Educational Film in the United States

Tom Paulus; Rob King — Slapstick Comedy

Sarah Street — Chromatic modernity: color, cinema, and media of the 1920s

Sarah Street; Joshua Yumibe — Chromatic Modernity: Color, Cinema, and Media of the 1920s

Christine Gledhill, Julia Knight (eds.) — Doing Women’s Film History: Reframing Cinemas, Past and Future

William Solomon — Slapstick Modernism: Chaplin to Kerouac to Iggy Pop

Jennifer M. Bean, Laura Horak, Anupama Kapse — Silent Cinema and the Politics of Space

Joanne Bernardi (editor), Paolo Cherchi Usai (editor), Tami Williams (editor), Joshua Yumibe (editor) — Provenance and Early Cinema (Early Cinema in Review: Proceedings of Domitor)

Rinella Cere — An International Study of Film Museums

Simon Brown (editor), Sarah Street (editor), Liz Watkins (editor) — Color and the Moving Image: History, Theory, Aesthetics, Archive

Rob King — Hokum!: The Early Sound Slapstick Short and Depression-Era Mass Culture

John R. Stilgoe — Old Fields: Photography, Glamour, and Fantasy Landscape

Cherchi Usai, Paolo;Usai, Paolo Cherchi — Silent Cinema, an Introduction

Paolo Cherchi Usai — The death of cinema : history, cultural memory and the digital dark age

Lenny Lipton — The Cinema in Flux: The Evolution of Motion Picture Technology from the Magic Lantern to the Digital Era

Lenny Lipton — The Cinema in Flux The Evolution of Motion Picture Technology from the Magic Lantern to the Digital Era

L. Enticknap — Film Restoration: The Culture and Science of Audiovisual Heritage

Mahadevan, Sudhir — A very old machine: the many origins of the cinema in India, 1840-1930

Simon Brown; Sarah Street; Liz Watkins (editors) — British Colour Cinema: Practices and Theories

Paolo Cherchi Usai — Silent Cinema: A Guide to Study, Research and Curatorship Third Edition

Street, Sarah, Johnston, Keith M., Frith, Paul, Rickards, Carolyn — Colour Films in Britain: The Eastmancolor Revolution

Sarah Street; Keith M. Johnston; Paul Frith; Carolyn Rickards — Colour Films in Britain: The Eastmancolor Revolution

Bregt Lameris — Film Museum Practice and Film Historiography: The Case of the Nederlands Filmmuseum (1946-2000)

Martin Lefebvre (editor); Marc Furstenau (editor) — Special Effects on the Screen: Faking the View from Méliès to Motion Capture

Giovanna Fossati — From Grain to Pixel: The Archival Life of Film in Transition, Third Revised Edition

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